Murals
Public commissions, festival walls, and permanent installations, from 10-foot lobby pieces to 70-foot exterior murals across the American South and beyond.
Case Studies
Homecoming
Painted in my hometown for the Alabama College of Art, and for my sister Lara Lee, who grew up on those same streets and passed away in 2006. Not a memorial, but a celebration of the beautiful, ephemeral parts of life. She holds a flower whose stem is dead but whose bloom is still full.
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Playing the Sound of the Wind
Commissioned by Athens Main Street to honor the Tennessee Valley Old Times Fiddlers Convention. My family has always moved through the world by music. My grandfather hosted the Grand Ole Opry alongside Dolly Parton. My father passed in November 2020. This wall was a chance to honor all of it.
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The Scottie
Rangewater Real Estate came looking for something purely decorative for their new luxury development. I went back to my early studio work: deconstructed Victorian ornament, and a quiet nod to Nudie Cohn, the tailor who dressed the legends of country music since the 1940s. Nashville deserved more than wallpaper.
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Appalachian Sunsets
My first municipal public art commission. Four walls on a single building at the edge of the Tennessee River valley, where the land begins to lift into the Appalachian foothills. Four interpretations of the same mountain sunset, grounded in the city's name, its oak-leaf history, and the building's own architectural geometry.
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The Hall of the Magician
The largest and most ambitious project I've taken on. Gallery Residential commissioned an entire immersive room — ceiling, banners, floor, walls — at The Upton. The concept borrows its name from the Magician card of the tarot: the four elements laid out in one space, constellations running from banner to floor. In progress through 2026.
Read the story →True Strength
Painted live in front of a crowd as part of Pieces of Pullman at Pullman Yards. A figurative tarot-rooted piece drawing from the Strength card — not a warrior, but the ability to soothe what's wild inside you and move with it rather than against it. The wall where my figurative and symbolic work first clicked fully into the street-art vocabulary I'd been working in.
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